IJCOPE Journal

UGC Logo DOI / ISO Logo

International Journal of Creative and Open Research in Engineering and Management

A Peer-Reviewed, Open-Access International Journal Supporting Multidisciplinary Research, Digital Publishing Standards, DOI Registration, and Academic Indexing.
Journal Information
ISSN: 3108-1754 (Online)
Crossref DOI: Available
ISO Certification: 9001:2015
Publication Fee: 599/- INR
Compliance: UGC Journal Norms
License: CC BY 4.0
Peer Review: Double Blind
Volume 02, Issue 03

Published on: March 2026 2026

VIOLENCE, TRAUMA, AND THE HUMAN PSYCHE: A PSYCHOSOCIAL READING OF VIJAY TENDULKAR’S STAGECRAFT

S. Rajasekar

Dr V.S. Saravanan

NPR Arts and Science College Natham Dindigul

Article Status

Plagiarism Passed Peer Reviewed Open Access

Available Documents

Abstract

The theatre of Vijay Tendulkar engages with the darker aspects of human behaviour, studying the ways in which violence and trauma impact social and psychological realities. This paper presents a psychosocial interpretation of the world of Vijay Tendulkar’s theatre, examining the manner in which individual suffering is inextricably linked with structural inequality, gendered power relations, and cultural conditioning. Through a close analysis of key plays—Shantata! Court Chalu Ahe, Ghashiram Kotwal, Sakharam Binder, and Kamala—the paper engages with the manner in which fear, power, and emotional dislocation are enacted as both individual experience and social phenomenon. Using the frameworks of psychological realism, trauma studies, and social critique, this paper will demonstrate that the plays of Vijay Tendulkar function as a mirror to human vulnerability, laying bare the fragile psyche in conditions of coercion and inequality.

How to Cite this Paper

Rajasekar, S. (2026). Violence, Trauma, and the Human Psyche: A Psychosocial Reading of Vijay Tendulkar’s Stagecraft. International Journal of Creative and Open Research in Engineering and Management, <i>02</i>(03). https://doi.org/10.55041/ijcope.v2i3.161

Rajasekar, S.. "Violence, Trauma, and the Human Psyche: A Psychosocial Reading of Vijay Tendulkar’s Stagecraft." International Journal of Creative and Open Research in Engineering and Management, vol. 02, no. 03, 2026, pp. . doi:https://doi.org/10.55041/ijcope.v2i3.161.

Rajasekar, S.. "Violence, Trauma, and the Human Psyche: A Psychosocial Reading of Vijay Tendulkar’s Stagecraft." International Journal of Creative and Open Research in Engineering and Management 02, no. 03 (2026). https://doi.org/https://doi.org/10.55041/ijcope.v2i3.161.

Search & Index

References


  1. Bhatt, G. (1985). Vijay Tendulkar: A critical study. Creative Books.

  2. Brecht, A. (1964). Brecht on theatre: The development of an aesthetic (J. Willett, Ed.). Hill and Wang.

  3. Dattani, M. (2000). Collected plays. Penguin Books.

  4. Ibsen, H. (2006). A doll’s house and other plays. Oxford University Press. (Original works published 1879–1890)

  5. Iyengar, K. R. S. (1983). Indian writing in English. Sterling Publishers.

  6. Karnad, G. (2005). Collected plays (Vols. 1–2). Oxford University Press.

  7. Kumar, A. (2012). Violence and realism in Vijay Tendulkar’s plays. Journal of Indian Theatre Studies, 4(1), 45–58.

  8. Nair, R. (2010). Psychosocial dimensions in Indian drama. Theatre Research International, 35(3), 215–229.

  9. Rangacharya, A. (2014). Indian theatre: Traditions of performance. National School of Drama.

  10. Singh, M. (2018). Gender and power in the plays of Tendulkar and Dattani. Contemporary Literary Review India, 5(2), 112–124.

  11. Tendulkar, V. (1992). Collected plays in translation (J. Dharwadker, Trans.). Oxford University Press.

  12. Willett, J. (1967). The theatre of Bertolt Brecht. Methuen.

Ethical Compliance & Review Process

  • All submissions are screened under plagiarism detection.
  • Review follows editorial policy.
  • Authors retain copyright.
  • Peer Review Type: Double-Blind Peer Review
  • Published on: Mar 27 2026
CCBYNC

This article is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. You are free to share and adapt this work for non-commercial purposes with proper attribution.

View License
Scroll to Top