IJCOPE Journal

UGC Logo DOI / ISO Logo

International Journal of Creative and Open Research in Engineering and Management

A Peer-Reviewed, Open-Access International Journal Supporting Multidisciplinary Research, Digital Publishing Standards, DOI Registration, and Academic Indexing.
Journal Information
ISSN: 3108-1754 (Online)
Crossref DOI: Available
ISO Certification: 9001:2015
Publication Fee: 599/- INR
Compliance: UGC Journal Norms
License: CC BY 4.0
Peer Review: Double Blind
Volume 02, Issue 7

Published on: July 2026

THE INTERSECTION OF CASTE AND GENDER: A STUDY OF GENDERED MARGINALIZATION OF THE 'NEW INDIAN WOMAN' IN DAHAAD

Dr. Usha Sawhney

Department of English
RBA Govt. Degree College
Gajraula, Amroha

Article Status

Plagiarism Passed Peer Reviewed Open Access

Available Documents

Abstract

Dahaad web series is presenting a crime thriller on the OTT platform Prime Video in 2023. The series shows that society has not changed because deep roots of violence against women and their identity are a major problem. Anjali Bhaati is the protagonist and she does not exist in a vacuum. She represents the real struggle of women that many women face every day. It highlights how women suffer due to unfair power dynamics and social exclusion.

The series is presenting today’s challenge traditional ideas about gender and society. Indian films have portrayed women in stereotypical ways and digital narrative presents a realistic picture of women's lives. They highlight the different challenges how women face because of their identity, unequal power relations, and social exclusion. This research paper explores the critical analysis of the web series and examining the character of Anjali Bhaati as a representation of the ‘New Indian Woman.’

The study is an intersectional framework of gender and caste. It examining traditional media does not give enough attention to overlook marginalized women, favoring the experiences of upper-caste and heterosexual groups. It highlights by showing the real-life struggles faced by lower-caste   women and showing how discrimination; they face within the police force. The study analyzes Anjali Bhaati’s professional life and her efforts to overcome both her workplace bias and societal prejudice. It argues that she goes beyond the traditional image of either a victim or an ideal heroine. She is shown as a strong and realistic woman who actively fights against the gender and caste-based inequalities present in contemporary Indian society.

How to Cite this Paper

Sawhney, U. (2026). The Intersection of Caste and Gender: A Study of Gendered Marginalization of the 'New Indian Woman' in Dahaad. International Journal of Creative and Open Research in Engineering and Management, <i>02</i>(7). https://doi.org/10.55041/ijcope.v2i7.082

Sawhney, Usha. "The Intersection of Caste and Gender: A Study of Gendered Marginalization of the 'New Indian Woman' in Dahaad." International Journal of Creative and Open Research in Engineering and Management, vol. 02, no. 7, 2026, pp. . doi:https://doi.org/10.55041/ijcope.v2i7.082.

Sawhney, Usha. "The Intersection of Caste and Gender: A Study of Gendered Marginalization of the 'New Indian Woman' in Dahaad." International Journal of Creative and Open Research in Engineering and Management 02, no. 7 (2026). https://doi.org/https://doi.org/10.55041/ijcope.v2i7.082.

Search & Index

References


  1. Dahaad. Created by Reema Kagti and Zoya Akhtar, performances by Sonakshi Sinha, Vijay Varma, Gulshan Devaiah, and Sohum Shah, Amazon Prime Video, 2023.
    Banerjee, Sarbani and Debdatta Chakraborty. “Decoding the Interlocking Factors of Caste-Gender Dynamism, Intersectionality and Suffering in the Web Series Dahaad.” CINEJ Cinema Journal, vol. 14, no. 1, 2026, pp. 101–137, University Library System, University of Pittsburgh, https://doi.org/10.5195/cinej.2026.747. Accessed 17 June 2026.

  2. Bunkar, N. “The Routledge Companion to Caste and Cinema in India: Exploring Alternative Voices, Suppressed Gazes, and Caste Dynamics in Film.” South Asian Popular Culture, vol. 22, no. 3, 2024, pp. 313–319. Taylor & Francis Online, https://doi.org/10.1080/14746689.2024.2434259. Accessed 17 June 2026.

  3. Crenshaw, Kimberlé. “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color.” Stanford Law Review, vol. 43, no. 6, 1991, pp. 1241–1299. JSTOR, https://doi.org/10.2307/1229039. Accessed 17 June 2026.

  4. Kumar, Piyush, Milan Chauhan, and Ajeet Singh. “Double-Edged Sword: Unearthing Toxicity in Bollywood’s Empowered Female Characters.” CINEJ Cinema Journal, vol. 14, no. 1, 2026, pp. 68–100. https://doi.org/10.5195/cinej.2026.701. Accessed 17 June 2026.

  5. Salih, Sara. On Judith Butler and Performativity. Kobe University, n.d., http://www2.kobe-u.ac.jp/~alexroni/IPD2020/IPD2020%20No.2/Salih-Butler-Performativity-Chapter_3.pdf. Accessed 17 June 2026.

  6. Sen, A. “The Other Dimensions of Dalit Oppression: Tracing Intersectionality through Ants among Elephants.” Journal of International Women’s Studies, vol. 26, no. 1, 2024, p. 2. Accessed 17 June 2026.

  7. Vivekananda, S. Women and Media. University of Calcutta, n.d., http://www.caluniv.ac.in/global-mdia-journal/Documents/D.1.%20WOMEN%20AND%20MEDIA%20-JUSTICE%20%20%20%20%20G%20N%20ROY.pdf. Accessed 17 June 2026.

Ethical Compliance & Review Process

  • All submissions are screened under plagiarism detection.
  • Review follows editorial policy.
  • Authors retain copyright.
  • Peer Review Type: Double-Blind Peer Review
  • Published on: Jul 10 2026
CCBYNC

This article is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. You are free to share and adapt this work for non-commercial purposes with proper attribution.

View License
Scroll to Top