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International Journal of Creative and Open Research in Engineering and Management

A Peer-Reviewed, Open-Access International Journal Supporting Multidisciplinary Research, Digital Publishing Standards, DOI Registration, and Academic Indexing.
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ISSN: 3108-1754 (Online)
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Peer Review: Double Blind
Volume 02, Issue 6

Published on: June 2026

SYNERGIC ECHO IN POSTCOLONIAL LITERATURE AND CINEMA:A CRITICAL STUDY

Dr. J. SENTHILKUMAR SHEBA SHAJI

Department of English Sri Ramakrishna College of Arts & Science (Autonomous) – Coimbatore, India
DOI:https://doi.org/10.55041/ijcope.v2i6.377

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Abstract

This article undertakes a sustained critical examination of synergic echo as a constitutive force in postcolonial literature and cinema. Drawing on foundational memory studies scholarship — from Maurice Halbwachs and Pierre Nora to Paul Connerton and Astrid Erll — alongside postcolonial theory as articulated by Frantz Fanon, Homi K. Bhabha, Gayatri Chakravorty Spivak, and Achille Mbembe, the study argues that postcolonial cultural production is fundamentally organised around the politics of remembering and forgetting. Through close readings of canonical and emergent literary texts — including Chinua Achebe's Things Fall Apart, Toni Morrison's Beloved, Arundhati Roy's The God of Small Things, and Ngugi wa Thiong'o's A Grain of Wheat — and cinematic works such as Ousmane Sembene's Black Girl, Deepa Mehta's Earth, Joshua Oppenheimer's The Act of Killing, and Warwick Thornton's Samson & Delilah, the article traces how collective memory operates as a site of contested identity, trauma transmission, subaltern resistance, and counter-hegemonic archive-building. The analysis further attends to the gendered and diasporic dimensions of postcolonial memory, demonstrating that mnemonic processes are never politically innocent. The article concludes that postcolonial literature and cinema constitute what may be termed 'living archives' — dynamic, embodied, and contestatory repositories of memory that resist official nationalist historiography and imperial erasure alike.

Keywords: synergic echo, postcolonial literature, postcolonial cinema, trauma, subaltern, counter-memory, archive, diaspora, identity

How to Cite this Paper

SENTHILKUMAR, J. & SHAJI, S. (2026). Synergic Echo in Postcolonial Literature and Cinema:A Critical Study. International Journal of Creative and Open Research in Engineering and Management, <i>02</i>(6). https://doi.org/10.55041/ijcope.v2i6.377

SENTHILKUMAR, J., and SHEBA SHAJI. "Synergic Echo in Postcolonial Literature and Cinema:A Critical Study." International Journal of Creative and Open Research in Engineering and Management, vol. 02, no. 6, 2026, pp. . doi:https://doi.org/10.55041/ijcope.v2i6.377.

SENTHILKUMAR, J., and SHEBA SHAJI. "Synergic Echo in Postcolonial Literature and Cinema:A Critical Study." International Journal of Creative and Open Research in Engineering and Management 02, no. 6 (2026). https://doi.org/https://doi.org/10.55041/ijcope.v2i6.377.

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References


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  • •Review follows editorial policy.
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  • •Peer Review Type: Double-Blind Peer Review
  • •Published on: Jun 28 2026
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